Talween Al Riwaya - Asma Seddiq Al Mutawaa - ADBF 2011

When I once thought about the various levels of reading the written text, I said to myself, to do it with the novel, which is the creative gender that has the most presence and influence on the cultural scene, so we write it visually.

It was an idea that came up quickly, but it is not as easy as it seems. Rather, it requires perseverance and working with specialists. This is what I did after my perceptions of the topic matured and I immediately began studying the possibility of implementing them and turning them into a reality that we can closely examine its results.

The meanings and ideas are presented in the streets and markets, as Al-Jahiz says, but discovering and apprehending them and choosing the appropriate ones requires a lot of insight. You deserve.

She also received a letter from UNESCO, which strongly supports and supports her, and finds in it an abundance of the aesthetic of the written text and its inclusion in a solution that gives it the possibility of reading it at a new level.

I called the friend Karima Al Shomali, who is keen in this introduction to thank her and praise her for communicating with a group of Emirati plastic artists and doing the necessary to facilitate the stages of the work.

Believing in me the necessity of defining and praising projects that contain some similarities with our project (coloring the novel), I would like to refer to a group of experiences common between the blogging side of the creative process and the visual aspect, such as the experiences of artist Dia Al-Azzawi in his books in which he visually codified a group of poets such as Adonis, Muhammad Bennis and Qasim Haddad,

Al-Muallaqat, and the experiences of Rafe Al-Nasiri with the poet Mai Muzaffar, or the experiences of Muhammad Al Qasimi, Amr Hiba and Atil Adnan, but they were nonetheless individual in their general climate and are often limited to poetic texts and not to other literary genres.

The project would not have been complete if it had not been for the quick and noble response of the plastic artists and their willingness to participate, because they believed in the necessity of diversifying the cultural act and making it lawful in front of new options for expression.

It is an experience that I hope the forum will contribute to replicating and making it a cultural tradition that brings great positiveness between creative and written citizens: the blogger and the visual.